November 5, 2026
Canal Convergence opens Friday, Nov. 6, and runs through Sunday, Nov. 15, along the Scottsdale Waterfront. It's free again, and this year's theme is "Western Nature." The biggest change for anyone who lives nearby isn't in the artwork list. The Herberger Stage's live music still falls on weekends, and this year the stage has a different named program on each of four weeknights, and Scottsdale Arts calls weekday stage activities "new to this year's Canal Convergence."
That changes how Sunday through Thursday work. The art is the same all ten nights. What's new is a scheduled event on Monday, Tuesday, Wednesday and Thursday to plan an evening around.
The festival keeps two sets of hours. On Friday and Saturday, Nov. 6–7 and Nov. 13–14, it runs 6 to 10 p.m. From Sunday, Nov. 8, through Thursday, Nov. 12, and on closing night, Nov. 15, it runs 6 to 9 p.m.
The weekend stage has headliners: QVLN, a Latin pop act, and Nodaway, an indie rock band. They play next to the Canal Convergence Beer and Wine Garden at Soleri Plaza. The 2026 weeknight lineup gives the 6-to-9 window a different program each night, and none of the four repeats another.
| Night | On the Herberger Stage | Elsewhere that night |
|---|---|---|
| Monday, Nov. 9 | Powwow demonstration with Ty LodgePole of Homeland, 6:30–8:30 p.m. | 6 p.m. art tour with ASL translation; painting with natural pigments, a ticketed workshop with the Center for Imagination in the Borderlands |
| Tuesday, Nov. 10 | Scottsdale Salutes at 6 p.m., then the U.S. Navy Band Commodores Jazz Orchestra at 6:30 and 7:35 p.m. | 6 p.m. art tour; beading workshop with Maxica Colectivo |
| Wednesday, Nov. 11 | Line dancing and two-steppin' with Steve Conrad, 7:30–9 p.m. | 6 p.m. art tour with Spanish translation |
| Thursday, Nov. 12 | "WEARABLE WILDS" fashion show by ASU FIDM students at 6:30 p.m.; "Working West" fashion show at 7:45 p.m. | 6 p.m. art tour |
The powwow, the line dancing and the fashion shows are free, like the festival itself. The paid workshops and the nightly art tours need tickets. Two of the three Indigenous- and Latinx-led workshops at the Nationwide Innovation Zone are on weeknights: natural pigments on Monday and beading on Tuesday. The third is bandana printing with Jeremy Arviso on closing night.
Sunday, Nov. 8, is the last chance to take SRP's free Canal History Tour before the second weekend. It's an hour long and starts at 5 p.m. You need to RSVP, and Scottsdale Arts asks people to arrive 10 minutes early. The tour is offered Nov. 6–8 and Nov. 13–15, with none in between.
Every weeknight has the same fixed points to plan around. Walter Productions performs its fire shows every night at 6:30, 7:30 and 8:30 p.m., and the artists choreograph each one live. On a 6-to-9 night, that's one show in each hour. The last one starts half an hour before closing.
On four nights, the stage schedule and the fire shows overlap in these ways:
The 6 p.m. art tour also fits weeknights well. It starts when the festival opens, so you can see the installations with a guide and still make the 7:30 fire show and most of the stage program.
The Thursday stage night shows how the weekday program connects to the rest of the festival. "Working West" is this year's version of the festival's Dress-Up Space. Jeremy Arviso, a Phoenix-based Indigenous designer and creative director, curated it with Diné hatter Geri James and Diné weaver Gloria Fain. It's built around Arizona's working landscape, reclaimed materials and contemporary Indigenous design. Arviso described it in the Scottsdale Arts announcement:
"'Working West' is an invitation to customize, create and wear your story."
On most nights, the Dress-Up Space at the Nationwide Innovation Zone is free and open to all ages. On Thursday, a selection of Arviso's garments goes on the Herberger Stage for his own fashion show. It follows "WEARABLE WILDS," in which ASU FIDM students use wearable technology to imagine the West "as a laboratory for the future." If you try on a hat or a woven piece early in the week, you can see the finished collection on the runway Thursday.
All the stage programs sit inside the same footprint: in and above the Arizona Canal, and along the paths and bridges between Scottsdale Road and Goldwater Boulevard. The installations are the same every night. Several need you to climb, swing or speak, and a quieter night means more turns.
Climb, slide and swing. "Dream Rider," by William Nemitoff with Curious Form, is a lit wild horse. You climb inside, go up its neck and slide down its mane. Nemitoff's studio also made "Sky Wrangler," a 25-foot hot air balloon sculpture with a rotating basket. When it spins, rainbow light and historic Western film footage play across the balloon. "PERIGEE," by Melbourne-based Chalk River Labs, is a projection sculpture with two swings.
Press a button or speak. At "Prairie Fire," Calgary-based True North Absurdities' life-size rearing horse, you press a button to set off controlled bursts of flame. In Theory Art Studios' "the weight of light" is a crystalline lightning bolt that hums quietly until visitors charge it up enough to set off a full strike of white light and a boom of thunder. "Desert Choir," from Montreal-based OTTOMA, uses microphones to turn your voice into trails of light and animal calls, shown on three circular screens hung over the canal.
Along the canal itself. Walter Productions' "Western Fire Garden" floats on the canal. It's a Sonoran Desert garden of LED-outlined plants and animals, and it's tied to the same group's fire shows. "Another Slice of Reality: An Evolving Nature," by Shaoyu Su x LedPulse, is inside the Marshall Way Bridge.
Poetry, cacti and a sales pitch. "grandmother turtle" is a desert tortoise by In Theory Art Studios. It carries contemporary petroglyphs by Santa Clara Pueblo artist Nora Naranjo-Morse and poetry by Laura Tohe, a former Navajo Nation Poet Laureate and the newly named Arizona Poet Laureate. Their work is laser-cut into the steel shell and lit from inside. Amigo & Amigo's "KaKtos" is a forest of 10 giant inflatable cacti lit from within. In "The Way The West Was Sold," four Jolly Productions performers play snake-oil salesmen and broadcast pitchmen selling a romanticized West, all ten nights.
The four weekend nights have the longer hours, the headline bands, and a few events that happen only then. On Saturday, Nov. 7, the Women's Collective Night Run starts at 5:30 p.m. It's a 5K, out and back along the Arizona Canal. Check-in opens at 4:30 p.m. in the Rose Garden parking lot at Goldwater Boulevard and Fifth Avenue, just south of the canal. Registration is $45 through Nov. 6 and $50 on race day. Details are on the Night Run event page.
The second weekend has the festival's dance performances. NicoleOlson|MovementChaos performs at the Chalk River Labs swing sculpture on Saturday, Nov. 14. Scottsdale Community College Dance gives two site-specific performances on closing night, Sunday, Nov. 15, at 7 and 8 p.m.
Community partner organizations also host activities at the Scottsdale Arts Roundabout at Marshall Way. The partners include Western Spirit: Scottsdale's Museum of the West, S'edav Va'aki Museum, CALA Alliance, Art Heals Arizona and the Boys & Girls Clubs of Greater Scottsdale. The Boys & Girls Clubs activity, "A World of Alebrijes," offers hands-on crafts and an introduction to printmaking.
Admission stays free in part because of donors. This year Scottsdale Arts started the Canal Club giving circle, which funds the installations and emerging artists. Members get perks such as an early look at the artwork, and donors at the top level help pick next year's pieces. Membership details are on the Canal Club page. For parking, rideshare, trolley and cycling information, see the festival's Plan Your Visit page.
The Waterfront has been one of my favorite evenings in Scottsdale for years, and this year a Tuesday with the Navy Band or a Wednesday of two-stepping by the canal is easy to fit into an ordinary week. If you're new to the area and want to know which parts of town make walking down to Soleri Plaza on a weeknight easy, Sue Shapiro is glad to talk it through. Let's Connect.
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